For this channel count, our pick is the Focusrite Scarlett 18i20. It’s the interface Focusrite built for exactly this scenario: eight simultaneous inputs with matched preamps, aimed at drum kits, full bands, and project studios that have grown past a two- or four-channel unit.
All eight combo inputs use Focusrite’s Scarlett mic preamps, so every channel behaves the same way under gain, which is exactly what a balanced drum or ensemble recording needs. An ADAT input is included for further expansion later through an external preamp box, so growing channel needs don’t mean replacing the whole interface.
It also includes a hardware monitor mixer for zero-latency monitoring across all inputs at once, and a rack-mountable chassis suited to a permanent studio setup rather than a desk that gets packed away. It’s a step up in size and cost from the smaller Scarlett models, but it’s built for the multitrack work this category is about.
- Eight combo inputs with matched Scarlett mic preamps
- ADAT input for further channel expansion
- Hardware monitor mixer for zero-latency monitoring
- Rack-mountable chassis for a permanent studio setup
It suits drummers, bands tracking live, project studios that host session players, and podcast setups with several hosts at once. Compare options at the full shortlist.
